Office: ED 3230 MS Massachusetts Institute of Technology Lisa Jevbratt's work - ranging from internet visualization software to biofeedback and interspecies collaboration - is concerned with collectives and systems, the languages and conditions that generate them, and the exchanges within them. Fostering an inclusive environment where students from all backgrounds can achieve their highest potential. He has also posited a new "Soft Babylon," a theoretical stance which posits that our digitized architectural palette is causing us to create a wired Situationist city, while we struggle with some of the massive paradigm shifts that our era will and must face. He studied acoustic and electronic composition from 1968-73 at Cologne Music University as well as sonology from 1971-72 at Utrecht University. Assistant Professor (Computational Craft and Haptic Media) Bekijk profielen van professionals die 'Jennifer Jacobs' heten op LinkedIn. She serves as Director and Chief Scientist of the AlloSphere Research Facility. Department of English. loh2o@ucsb.edu Opportunities for PhDs to work on world-class computer science research with faculty members. Technical Director, AlloSphere Research Facility. Alenda Chang joined the UCSB faculty in 2015, following two years as a digital humanities and environmental literature professor at the University of Connecticut (Ph.D. In the same year, the founded the technology branch of Projekt Atol called PACT SYSTEMS where he developed one of the first Global Positioning Systems based participatory networked mapping projects, the Urban Colonisation and Orientation Gear 144. Her current music research is focusing on a general purpose interface for control of digital information through natural performance gesture. 0000055655 00000 n Media Arts and Technology. In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Denver, Colorado, USA, April 2017. UC Santa Barbara Alumni. 3) Broadening entry points into computer science learning by blending programming with art, craft, and design. Tobias Hollerer is Associate Professor of Computer Science at the University of California, Santa Barbara and Adjunct Professor in Media Arts and Technology. His textbook The Computer Music Tutorial (1996, The MIT Press) is widely adopted as a standard classroom text and has been published in French (1999, third edition 2016), Japanese (2001), and Chinese (2011). More broadly, she examines how to enable art and design professionals to leverage their domain expertise to develop personal software tools. Pollock T.M, Clarke A.J, Babu S.S . Prior Employment Postdoctoral Fellow, Computer Science, Stanford University MS, Geography, University of Toronto, Canada She completed a masters of science in the High-Low Tech group and an . Dr. Kuchera-Morin is a composer, Professor of Media Arts and Technology and Music, and a researcher in multi-modal media systems, content and facilities design. Copyright 2023 The Regents of the University of California, All Rights Reserved. Verified. Press, 1989), explored the relation between the imaginative experiences of literature and history. Dr. Cabrera worked for more than six years as a professional sound designer and audio engineer and has taught at the undergraduate and graduate level in three countries. MAT provides a great opportunity to explore this domain". Jennifer Jacobs, PhD, is an Associate Professor in the Elementary Education Program at the University of South Florida. She also received an M.F.A. All artwork and text on this site are the exclusive copyrighted works ofthe artist or author. Lecturer. He completed a PhD in Music at the University of New York at Stony Brook. 0000002325 00000 n He is also principal investigator of the UCHRI multi campus research group "Critical Machine Learning Studies" (2021-23), and the international research project "AI Forensics" (2022-25), funded by the VW foundation. 4312 Bren Hall, UC Santa Barbara . Work Assistant Professor of Media Arts and Technology, University of California Santa Barbara. Her research examines ways to diversify participation and practice in procedural art and . At UCSB, she directs the Expressive Computation Lab, which . Jennifer Jacobs is a Ph.D. candidate at the MIT Media Lab in the Lifelong Kindergarten Research Group. The Experimental Visualization Lab (ExpVisLab) is one of 7 dedicated research labs in the Media Arts & Technology arts-engineering program at UCSB. Interested candidates should contact us. sarahjacobs@ucsb.edu Dr. Cabrera's current research in interactive distributed computation is directed towards tackling the diverse complex issues around computational workflows in scientific research through the merging of human-computer interaction, literate programming, and multimedia display. Jennifer Jacobs. 0000001921 00000 n He holds a PhD from University of California, Santa Barbara, where he was a fellow of the Regents of the University of California, and a Diploma from the Institute for Applied Theater Studies in Gieen, Germany, where he was a student of composer and director Heiner Goebbels and a fellow of the German National Academic Foundation. 223K followers. 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His contribution to the digital media field since the early stages of its formation into a discipline in the early 1990s has been in intersecting cultural content with data processing as a means of creating new forms of aesthetic representations and socio-cultural narrative experiences. My research lab investigates . and Ph.D. degrees in Computer Science from the University of California, San Diego (UCSD). 0000058432 00000 n Jennifer is certified by the National Academy of Sports Medicine and is a graduate of UC Irvine and the Yale School of Management's . 7L\:v~7Yma{f-]"+P n]eph&dk@KAn+l94#sPkJ\Weje*KP Wl". She created, built, and designed the Center for Research in Electronic Art Technology and is the Center Director since its inception in 1986. Department of Mechanical Engineering. Public figure. She also received an M.F.A. Assistant Professor of Media Arts and Technology. Trained in engineering and physics, he received the PhD in Electrical and Computer Engineering from McGill University, and MA and BA degrees in Physics from The University of Texas, Austin and Wesleyan University. She has presented her work and research at places such as Blum & Poe Gallery, LACMA, Frieze LA, and SOMArts Cultural Center. Hours:M-F, 8-4, Schedule virtual office hours with Samantha, Education Specialist Extensive Support Needs (ESC, Special Ed) Research in HCI, with focus on Expressive and Creative Computing and Manufacturing. Website: ecl.mat.ucsb.edu The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara directed by Prof. Jennifer Jacobs. Professor All rights reserved. Fabian Offert is Assistant Professor for the History and Theory of the Digital Humanities in the Department of Germanic and Slavic Studies at the University of California, Santa Barbara. He is a founding member and co-PI for the NSF-funded Center for Nanotechnology in Society at UCSB. 0000006065 00000 n My favorite food: TACOS! Among his books are the anthologies Foundations of Computer Music (1985, The MIT Press) and The Music Machine (1989, The MIT Press). Specialization: Data visualization, computation & photography, interactive media art installation, mobile robotic multi-camera imaging. 0000009548 00000 n We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. He taught at Aveiro University (Portugal) and Federal University of Minas Gerais (Brazil). During 2002-2007 he was a member of the Board of Directors of the Electronic Literature Organization (ELO) and chair of the Technology/Software Committee of the ELOs PAD Initiative (Preservation / Archiving / Dissemination of Electronic Literature). And if you know of other websites that may be useful to your colleagues, and should perhaps be added . Vienna, Austria 10, J Li, J Brandt, R Mech, M Agrawala, J Jacobs, Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems, O Fried, J Jacobs, A Finkelstein, M Agrawala, Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing, N Peek, J Jacobs, W Ju, N Gershenfeld, T Igoe, Extended Abstracts of the 2021 CHI Conference on Human Factors in Computing, Proceedings of the 27th ACM Symposium on Virtual Reality Software and, Bi vit mi lin quan n nghin cu ca tc gi ny, Codeable objects: computational design and digital fabrication for novice programmers. 0000004961 00000 n Supporting Expressive Procedural Art Creation through Direct Manipulation. amber.moran@ucsb.edu in Computer and Electrical Engineering. Jennifer Jacobs, Assistant Professor Media Arts Technology Program Gregory Johnson, Professor Religious Studies Georgios Koutroulakis, Lecturer PSOE Physics . Karin Lohwasser We couldn't do it without you, our amazing faculty and staff members. Media Arts and Technology, Computer Science, University of California, Santa Barbara and B.F.A from Hunter College and the University of Oregon respectively. Regents of the University of California. He is the creator of Artsmesh, a macOS application for live networked music performance. The University of Georgia, +2 more Jennifer Jacobs Social Worker at Sir Moses Montefiore Jewish Home Greater Sydney Area. His use of a computer as an algorithmic music tool dates from 1971. The projects explore alternative, distributed and unintentional collaborations and expressions of these collectives. Office: ED 3228, Multiple-Subject (MST, Elementary) 0000010120 00000 n 0000103163 00000 n Jennifer Jacobs, J Method Fitness, will help you reach your goals no matter what they are and where you are, rom personal training, cycling, running, shadowboxing, movement and mobility, nutrition, etc. degree at University of Vermont and a Ph. Email: alumni@alumni.ucsb.edu (805) 893-2957 tel (805) 893-4918 fax. Kate Farms is strengthened by the heart and . Computers are becoming more ubiquitous, appearing in a proliferation of shapes and sizes. 0000054815 00000 n h1 04u\c=t4miC. Born in 1945, Clarence Barlow obtained a science degree at Calcutta University in 1965 and a concert pianist diploma from Trinity College of Music London the same year. D. from Indiana University. Jennifer Jacobs is Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Office: ED 3232, Single-Subject (SST, Secondary) Christina Tague's research is focused on the interactions between hydrology and ecosystem processes and, specifically, how eco-hydrologic systems are altered by changes in land use and climate. Single-Subject (SST, Secondary) Tim Dewar tdewar@ucsb.edu Office: ED 2218. Please enable it to continue. "Computation shapes the way people make things," said Stanford Computer Science researcher Jennifer Jacobs to a crowded room in Elings Hall during a Media and Art Technology seminar last week. Faculty-led research groups exploring research areas within computer science and its interdisciplinary applications. mscafide@ucsb.edu, Science (Biology, Chemistry, Earth Science, Physics) GH Jacobs. Assistant Professor Dr. Visell's directs the RE Touch Lab, leading fundamental and applied research on the future of interactive technologies. His artistic works have exhibited at some of the most prominent cultural venues in the world. Jacobs . Office: ED 3243, Mathematics Jennifer Jacobs. 805.893.3412 Legrady's artistic works have been supported by awards from the Creative Capital Foundation, the Daniel Langlois Foundation for the Arts, Science and Technology, the Canada Council for the Arts, the National Endowment for the Arts, and a John Simon Guggenheim Fellowship in Visual Arts in 2016. Beyond this, Tobias's main research interests lie in virtual reality, 3D displays and interaction, visualization, mobile and wearable computing, and adaptive user interfaces. of Chicago Press is Local Transcendence: Essays on Postmodern Historicism and the Database. hb```b``9sAc[XgzIw6DeaXP!jU"3g2Fss4>y~e+sKCLV$*>3-Gy5bw/k U5 A pioneer in the development of granular synthesis (1974), he also developed (with Alberto de Campo) the program PulsarGenerator (2001), distributed by the Center for Research in Electronic Art Technology (CREATE) at UCSB. 0000010406 00000 n He received his Ph.D. in Electrical Engineering in June 2006, advised by Dr. Pat Hanrahan. He studied electronic music and computer music composition at California Institute of the Arts (CalArts) and the University of California, San Diego (UCSD) and received a Doctorate from the Universit Paris 8. . TikTok; Twitter; Instagram; LinkedIn; of Chicago Press). Before joining the faculty at UCSB, he served as postdoctoral researcher in the DFG SPP "The Digital Image", associated researcher in the Critical Artificial Intelligence Group (KIM) at Karlsruhe University of Arts and Design, and Assistant Curator at ZKM Karlsruhe, Germany. At UCSB, he is affiliated with the Media Arts and Technology program, the Comparative Literature program, and the Center for Responsible Machine Learning. Assistant Professor During 2008, Peljhan was appointed as one of the European Union Ambassadors of Intercultural dialogue. Prior to UCSB, she was an Instructor at Harvard Medical School and the Department of Medicine/Division of Women's Health at Brigham & Women's Hospital. Journal of Experimental Biology 204 (14), 2439-2446, 2001. Hybrid craft: showcase of physical and digital integration of design and craft skills, Digital craftsmanship: HCI takes on technology as an expressive medium, Extending manual drawing practices with artist-centric programming tools, Supporting expressive procedural art creation through direct manipulation, Remote Learners, Home Makers: How Digital Fabrication Was Taught Online During a Pandemic, Direct and immediate drawing with CNC machines, What We Can Learn From Visual Artists About Software Development, Crosscast: Adding Visuals to Audio Travel Podcasts, Dresscode: supporting youth in computational design and making, Supporting Visual Artists in Programming through Direct Inspection and Control of Program Execution, Dynamic Brushes: Extending Manual Drawing Practices with Artist-Centric Programming Tools, Remote Learners, Home Makers: How Digital Fabrication WasTaught Online During a Pandemic, Algorithmic craft: the synthesis of computational design, digital fabrication, and hand craft, Making at a Distance: Teaching Hands-on Courses During the Pandemic, Learning remotely, making locally: Remote digital fabrication instruction during a pandemic, Multi-View AR Streams for Interactive 3D Remote Teaching, Dynamic drawing: Broadening practice and participation in procedural art. The Slowscan label released in 2021 a collection of his electronic music on vinyl LP. A new revised edition of The Computer Music Tutorial (MIT Press) is scheduled for publication in Spring 2023. Jacobs works across the fields of computational art and design, human-computer interaction, and systems engineering. for a Member company and need a Member Portal account? Nadya Peek, an assistant professor in the Department of Human Centered Design & Engineering, and her collaborator Jennifer Jacobs, assistant professor at University of California Santa Barbara in the Media Arts and Technology Department and in Computer Science, will develop computational tools to better support dynamic workflows and allow for . Copyright 2023. 1,650 posts. In 1988 he was Director of Music of the XIVth International Computer Music Conference, held that year in Cologne. M. Arch+Certificate of Specialization in CAAD (Computer Aided Architectural Design), Ohio State University, Professor (specialties: Media and Virtual Architecture, Transvergence, TransArchitecture). Associate Professor To support this argument, I will present research across three categories: 1) Integrating physical and manual creation with computer programming through domain-specific programming environments. University of California Santa Barbara Elings Hall Room 2215 Santa Barbara, CA, 93106 jmjacobs@ucsb.edu jenniferjacobs.mat.ucsb.edu Research Interests . Directs the Experimental Visualization Lab in Media Arts & Technology, Office: 2211 Elings Hall, lab: 2611 Elings Hall. Research in HCI, with focus on AR/VR, InfoVis, 3D displays and UI, Computer Vision, contextual and social computing. Composer Joo Pedro Oliveira holds the Corwin Endowed Chair in Composition for the University of California at Santa Barbara. Office: ED 3262, University of California, Santa Barbara Hybrid Practice in the Kalahari: Design Collaboration through Digital Tools and Hunter-Gatherer Craft. The new release (2021) includes support for Open Sound Control. Students will be assigned weekly readings drawn from Fine Art, Computer Graphics, Computational Design and Human Computer Interaction texts.Students are expected to complete the required readings and a reading reflection slide by Wednesday at 6pm, as well as engage in group discussions in class on Thursday.Students should also leave comments on at least 2 other reading reflection from their . Dennis Adderton is an Electrical Engineer with 20 years of experience in the design of scientific instruments and is currently employed as Technical Director for the Allosphere Research Facility, in the California NanoSystems Institute at UCSB. University of California Santa Barbara Elings Hall Room 2215 Santa Barbara, CA, 93106 jmjacobs@ucsb.edu jenniferjacobs.co Research Interests . A collection of new electronic music called Flicker Tone Pulse, with visualizations by Brian OReilly is now available on a Wergo DVD. His publications include several articles in journals and a book on 20th century music theory. Since then, Jennifer had been continuing to work on her "JMETHOD" brand, as well as teaching classes through "Ladder Teams" platform . His research and teaching focuses on the visual digital humanities, with a special interest in the epistemology and aesthetics of computer vision and machine learning. 7 in its 2022-23 list of "Top Public Schools" U.S. News & World Report - ECE & CoE among Nation's 2023 Best Grad Schools Admissions He attended Purdue University from 1992 - 1996, where he graduated with a B.S. Although computational tools and computer programs are used more now than ever it can be difficult to fully integrate technology into art and design because of how different each artist is. Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. He is especially interested in the motives and ways these communities collaborated with one another, how Cold-War derived technologies such as lasers and digital computers were enlisted for artistic purposes, and the presence of Cold War themes such as nuclear war, cybernetics, and the Space Race in art from the 1950s, 60s, and 70s. In this talk, I argue that by developing methods to integrate computational production with manual and physical making, we can dramatically expand the expressive potential of computers and broaden participation in computational production. and B.F.A from Hunter College and the University of Oregon respectively. 3. trailer <<4D7E78DE4B274649907D09471A97BDD3>]/Prev 346937/XRefStm 1555>> startxref 0 %%EOF 1333 0 obj <>stream David Young Media Arts and Technology/Expressive Computation Lab, University of California Santa Barbara, United States, Jennifer Mary Jacobs. 0000010017 00000 n Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. Tobias Hllerer. Any unlawful redistribution or reproduction of artwork featured on this site without prior express written authorization of the copyright owner is strictly prohibited. His current major project, which he started in 2005 as a University of California multi-campus, collaborative research group, is Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. Rooms 2024 and 2005, Elings Hall. Office: ED 3206, World Language (Spanish) He edited the anthology Musical Signal Processing in 1997. The EC2 project was realized by a team consisting of Roads as project manager, with software developers Jack Kilgore and Rodney Duplessis. Furthermore, Ill discuss how collaborating with practitioners from art, craft, and manufacturing can diversify approaches to knowledge production in systems engineering and open new research opportunities in computer science. Title. 0000003695 00000 n JENNIFER JACOBS - Wellness Fitness & Nutrition. His book Composing Electronic Music: A New Aesthetic (Oxford University Press) appeared in 2015. 0000005074 00000 n Her group has recently developed and released AppScale - an open-source platform-as-a-service cloud computing system that implements the Google App Engine (GAE) APIs and that facilitates next-generation cloud computing research. Alexis Crisostomo Campus Beat Reporter On Aug. 21, UC Santa Barbara's (UCSB) University & Community Housing Services Manager, Jennifer Birchim, sent an email to the campus community regarding the lack of available housing for UCSB students during the upcoming fall quarter. In 2010 he was awarded the lifetime achievement award from the Society for Electro-Acoustic Music in the United States (SEAMUS). (805) 893-2084 Professor Tague is currently modeling the impacts of climate change on stream-flow patterns in the western United States and examining how urbanization alters drainage patterns and associated biogeochemical cycling in watersheds in Baltimore, Maryland, and Southern California. He taught electronic music composition at Harvard University and sound synthesis techniques at the University of Naples Federico II. Department of Film and Media Studies, 2018 Social Sciences and Media Studies Building. The visualization is scheduled for operation until 2019, with approximately 30000 items checked-out per day resulting at this time, in a collection of over 90 million datasets. We focus on supporting . Professor of Computer Science. From 1990-94 he was Artistic Director of the Institute of Sonology at the Royal Conservatory in The Hague, where from 1994-2006 he was Professor of Composition and Sonology. He is also the director of the MAT Systemics Lab, located in Elings Hall. 293: Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. Jevbratt also publishes texts on topics related to her work and research, for example in the anthology "Network Art - Practices and Positions" (Routledge). His interests are the algorithmic composition of instrumental, electronic and computer music, music software development as well as interdisciplinary activities, e.g. They are being embedded into the world around us, and we are carrying (soon wearing) them wherever we go. To answer these questions, our current work focuses on Human-Computer Interaction (HCI), eXtended Reality (XR), and Human-Centered Artificial Intelligence (AI). She completed a masters of science in the High-Low Tech group and an MFA in Integrated Media Art from Hunter College. Cyborgs and Space. From sourcing the best ingredients for our products to helping navigate insurance coverage and orders, the Kate Farms team puts people first, always. Chandra's research interests include automatic and adaptive compiler, programming language, virtual runtime, and operating system techniques that improve performance (for high-end systems) and that increase battery life (for mobile, resource-constrained devices). In the mid 90s, his contribution to Inteational architectural discourse was further expanded by the coining and definition of the term "Transarchitectures" His approach: "we conceive algorithmically (morphogenesis); we model numerically (rapid prototyping); we build robotically (new tectonics); we inhabit interactively (intelligent space); we telecommunicate instantly (pantopicon); we are informed immersively (liquid architectures); we socialise nonlocally (nonlocal public domain); we evert virtuality (transarchitectures)".