brett whiteley self portrait 1975

(age29in1975), Brett Whiteley from The New York Times: He believed that many of his ideas came from these experiences, and he often used drugs as a way of bringing the ideas from his subconscious. 13, no. It shows Brett Whiteley looking at himself intently in the mirror and recording exactly what he sees. Were not looking at a would-be genius or a sinful penitent. He . Jennifer Phipps role at the time of publication was Curator of Australian Art. 3), 'Collecting international art', pg. ), 232. plate no. The work is an anthology of Whiteley motifs, including the view of Sydney Harbour from a window, a reclining nude, an armchair, and a piece of blue-and-white china. Alan McCulloch and Susan McCulloch, The Encyclopedia of Australian Art, St Leonards, 1994, 648-49 (colour illus.). The National Portrait Gallery respects the artistic and intellectual property rights of others. Free entry, Find out what you need to know before visiting, Archibald, Wynne & Sulman Prizes for 1976, A Different Vision - Brett Whiteley Sculptures (1998), Australian icons: twenty artists from the collection, To look within: Self portraits in Australia. They had borrowed the money, using their car as collateral. This photograph was taken by Andrew Rankin. From $33.34. 15 Jun 1992. plate no. Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. [8] He took the van Gogh painting and stretched the lines of the room to a single vanishing point, creating an image which appears fast moving and extremely vibrant and dynamic. 25 May - Opening of exhibition of color photography by William Eggleston at the Museum of Modern Art, New York. Richard Wherrett, Sydney Theatre Company Limited Ninth Annual Report 1987, Sydney, 1987, front cover (colour illus.). Contemporary Art Quilter Pat Pauly's random thoughts and excursions made public. One way that America influenced him is in the scale of his works. . from The New York Times: Clinton had borrowed from his proposals to make public colleges free. The second painting has a completely different tone. At the time of print Olsen and Coburn were board members of the Art Gallery of NSW. Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). Zo Ross (Editor), Eyewitness travel guides: Australia, 'Botanic gardens and the Domain', pg. Brett Whiteley Self Portrait In The Studio Framed Print . Artists; A-Z Listing; Art movements; Schools and groups AU $100.00. This article analyses art prizes and their judges, and this year's entries in the Archibald, Sulman, and Wynn competition. In this clip from the 1965 documentary 'The Australian Londoners', Brett Whitele. Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. Their only child, daughter Arkie Whiteley, was born in London in 1964. His last studio and home - 2 Raper Street, Surry Hills in Sydney - is now a museum managed by the Art Gallery of New South Wales. He painted a series of paintings based on these events, including Head of Christie. List of works. unknown author., The Canberra times, 'Sydney artist Brett Whiteley wins Archibald Prize', Ainslie, 22 Jan 1977, (illus.). The Version table provides details related to the release that this issue/RFE will be addressed. 29-31, Sydney, 20 Jun 1992, 29-31. 1924 Miss Collins by W B McInnes. 9 (verso) in education pack. 5, Sydney, 07 Jul 1992, 5. 45. Barry Pearce and Alec George, 9 Shades of Whiteley, '5: Portraits', pg. 07 Apr 1939 Archibald, Wynne & Sulman Prizes for 1976, Art Gallery of New South Wales, Sydney, 22 Jan 1977-27 Feb 1977. Bill Gregory, Art and Australia (Vol. The immediate effect was a heightening of reality in that everything I looked at took on an intensity That morning returning to school by bus, I remember the poplar trees were bare for winter but it took me years to paint what I saw. The balcony 2 Brett Whiteley 1975 116.1981. Related research topic ideas. card no. List of journal articles on the topic 'Stanley Press (Firm)'. Verbal and visual in Brett Whiteley", "Translating an imagetext: verbal and visual self-representation in Brett Whiteley's Interior, Lavender Bay", Brett Whiteley's friend and colleague George Sheridan webpage, https://en.wikipedia.org/w/index.php?title=Brett_Whiteley&oldid=1142217923, This page was last edited on 1 March 2023, at 04:16. Whiteley's daughter Arkie is photographed by Alan Pryke standing before his painting titled `Self portrait in the Studio'. ), 135 (colour illus.). Image of David Williamson standing in front of 'The balcony 2'. His reference to art history, including an image of the famous 1943 William Dobell portrait of Joshua Smith, won a court case against accusations that it was a caricature, not a portrait. Write a list of the things that interest you and your favourite objects. Museum of Applied Arts and Sciences, Ken Done: The Art of Design, Sydney, 1994, 32 (illus.). 30-35, London, 2013, 31 (colour illus.). 272-275, Port Melbourne, 2010, 3 (colour illus. But at his best, Whiteley was brilliant and a major achievement of the film is that it focuses on this aspect of his art. Whiteley became the youngest artist to be purchased by the Tate Gallery when it acquired his only two works at the time, Red . After studying half-heartedly at art school he travelled to Europe on a scholarship. Fixed: Release in which this issue/RFE has been fixed.The release containing this fix may be available for download as an Early Access Release or a General Availability Release. (age36in1975). 26-53, Melbourne, 1997, 49 (colour illus. At 16 we are all misunderstood and ready to identify with Van Gogh, but few teenagers could have created such an accomplished homage. A day at Bondi Brett Whiteley . Warning: Smoking has been linked to some of the most powerful images of the twentieth century an MPRG exhibition. Elwyn Lynn, The Independent Monthly, 'Luscious Ornaments', pg. Find more prominent pieces of self-portrait at Wikiart.org - best visual art database. [3] Throughout 1956 to 1959 at the National Art School in East Sydney, Whiteley attended drawing classes. 34-35, Australia, Sep 1991, 34-35 (illus.). It premiered at the Sydney Opera House on 15 July 2019. It was, at the very least, a way of exposing his own dark obsessions to the widest possible audience and the full glare of publicity. Directed by James Bogle and produced by Sue Clothier, Whiteley includes extensive archival footage and photos, personal notes and letters, as well as animations and dramatic reconstructions, although no new interviews were shot for the film. He made several attempts to dry out and get off drugs completely, all ultimately unsuccessful. Whiteley's return to Australia in 1969 heralded a new preoccupation with colour and beauty. This article was written in regards to Whiteley winning both the Archibald, and Sulman prizes in 1977. unknown author., Northern Star, 'Archibald Prize won by Sydney artist', Lismore, 22 Jan 1977. unknown author., The Australian, 'Archibald Reflection', Sydney, 22 Jan 1977. A photograph of a youthful Brett Whiteley also accompanies this article. PROVENANCE. 36. Jane Hampson, Sun-Herald, 'Brett Whiteley's Images of Sydney Harbour', pg. It might be argued that the hair is an affectation Whiteley used too frequently for comfort. Jenny Aland and Max Darby, Australian Artlook, 'A Timeline of Australian Art', pg. He won all three prizes in 1978 (the first artist to do so) and the Wynne a third time in 1984. At the age of 16, while boarding at Scots College in Bathurst, he came across a book on Vincent Van Gogh and painted a self-portrait in emulation of the famously misunderstood Dutchman. See all 85 works. 18-19, Sydney, 13 May 2006-14 Jun 2006, 18-19. Self portrait in the studio, 1976. . The Art Gallery of New South Wales has brought together 116 of Whiteleys works, from detailed landscapes to nude studies, that demonstrate the critical role of drawing something Whiteley called a completely un-rehearsable and unrepeatable visual truth in the artists creative practice, Brett Whiteley: Drawing Is Everything is showing at the Art Gallery of New South Wales until 31 March 2019, Thu 27 Dec 2018 21.53EST Brett Whiteley - Artist (1939 - 1992) After winning a grant from the Art Gallery of NSW at the age of 22, Brett Whiteley set up residence in London where he amazed art collectors with his highly sophisticated paintings. The quality which unites them is a fluid energy of the brush, extending through the media of ink, watercolour and oil paint, reflecting a lyrical response to the calligraphic style. ), 235. What is your initial response to this artwork? On weekends Whiteley painted around the New South Wales country towns of Bathurst, Hill End and Sofala, producing works such as Sofala 1958. Mervyn Horton (Editor), Art and Australia [vol. From $35.80. the attraction of drawing is that there is an immediacy and freshnessnot so much that its simple, or reduced its just brief, beautifully brief.Brett Whiteley, Difficult Pleasure. How do they compare to Whiteleys artworks? 6-7, Melbourne . Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. 'Windsor and Newton Deep Ultramarine oil colour has an obsessive, ecstasy-like effect upon my nervous system quite unlike any other colour. He . Brett Whiteley - Portrait 2, 1975. photographer: Greg Weight. Almost too brutally honest, it seemed like the final flaring of a dying star. Free entry, Find out what you need to know before visiting, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Australian icons: twenty artists from the collection, Affinities: Brett Whiteley & Lloyd Rees (2001). Barry Pearce and Alec George, 9 Shades of Whiteley, '4: Lavender Bay', pg. 13-35, Sydney, 1988, 32, 34-35 (colour illus.). 0 bids Ending Today at 22:53 AEDST 19h 16m Local pickup. ACKNOWLEDGMENTS; PREFACE; THE CHECK; JERRY; WESTERN UNION; COUNTRY LIVING; THE CB THIRTEEN MEN; GREAT PLAINS; TRAMPS; SALEM; THE FARM; SCHOOL; BE FRUITFUL; AUSTA; THE . Sandra McGrath., The Australian, 'A prize collection', Sydney, 27 Oct 1978, (illus.). 105. Terry Ingram., The Australian financial review, 'Sir John's art fetches $42,000', Sydney, 24 Aug 1981. Donated through. ), 162 (colour illus.). Whiteley painted other images of the Australian landscape, including a view of the south coast of New South Wales after it had been raining called The South Coast after rain. Another in the series was a more abstracted Woman in the bath II, which owed a debt to his yellow and red abstract paintings of the early sixties. He painted a view of his friend Patrick White as a rock or a headland in Headland; White had told Whiteley that in the next life he would like to come back as a rock. Brett Whiteley: van Gogh self portraits, Greenhill Galleries, , 27 Jan 1987-22 Feb 1987. Source: Art Gallery of New South Wales Archive, Brett Whiteley in his studio, 1976, by Robert Walker Estate of Robert Walker. Greg Weight on working with Jiawei Shen, and starting out as a photographer. Summer at Carcoar Brett Whiteley 1977. In London he excited art dealers and fell under the influence of painters such as Francis Bacon, of whom he later made a series of portraits. The Brett Whiteley Retrospective', pg. Richard Cotter, Change and continuity; 20th Century Australian History, South Yarra, 1998, 177 (colour illus.). Self Portrait in Studio Brett Whiteley 1976. plate no. (Bibliographic reference no. 1975: Kevin Connor - The Hon Sir Frank Kitto, KBE; 1976: Brett Whiteley - Self Portrait in the Studio; 1977: Kevin Connor - Robert Klippel; 1978: Brett Whiteley - Art, Life and the other thing; 1979: Wes Walters - Portrait of Phillip Adams; 1980: No award; 1981: Eric Smith - Rudy Komon; Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. Rodney James., WARNING: Smoking has been linked to some of the most powerful images of the twentieth century, 'Come to where the flavour is, smoking, cigarettes + modernity', Mornington, 2006, (colour illus.). ), 205 (colour detail illus.). He worked across painting, sculpture and the graphic arts, and is best known for his sensual and lyrical paintings of interiors, nudes and harbour scenes. Do you feel you are watching the subject or is the subject watching you? Richard Coleman., The Sydney Morning Herald, 'Doctor's theory may help self portraits', Sydney, 03 Apr 1981, (illus.). Kristin Williamson., The national times: Australia's national weekly of business and affairs., 'Brett Whiteley - Portrait of a Genius', Sydney, 25 May 1980-31 May 1980, 28-32 (illus.). 'Appearing in the 'Time Out' section. Dogs, 1975. I think that the artwork is set in Brett Whiteley's studio He is represented in the collections of all the large Australian . Wendy Whiteley, former wife of Brett Whiteley, talks about the work 'Self-portrait in the studio' (1976). cat.no. Michael Bowden, Art-isan: studio arts for VCE units 1-4, 'Analysis of an unseen artwork', pg. Works of art from the collection are reproduced as per the, Let me know when this portraits on display. In the former, Whiteleys face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. 13: Brett Whiteley 'Self portrait in the studio' 1976. The work experimented with warping and manipulating a straight self-portrait, incorporating his pictorial sense of addiction. ), 257 (colour illus., detail), 302. Why does he reference these artists in his self-portraits? The big self-portrait looking at himself in the mirror is extraordinarily honest in some ways. The National Portrait Gallery is an Australian Government Agency, gelatin silver photograph on paper (, The National Portrait Gallery respects the artistic and intellectual property rights of others. 9-13, Cammeray, (1995-1996), 9-13. The artist's face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger . In 1970 he was invited to work in the consciously creative Yellow House with Martin Sharp, Brett Whiteley, George Gittoes and Peter Kingston, photographing its artists, installations and activities and there mounting his first exhibition, a series of photographs of the Cronulla sand dunes. [17], On 15 June 1992, aged 53, he was found dead from opiate overdose in a motel room in Thirroul, north of Wollongong. 2023 John McDonald. ), 23. Brett Whiteley 1975 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art - fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. 8 in education pack. Whiteley won his first major prize at the age of 20, the Italian Travelling Art Scholarship, awarded by Sir Russell Drysdale. Growing up in Longueville, a suburb of Sydney, Whiteley was educated at Scots School, Bathurst[2] and Scots College, Bellevue Hill. List of works. The balcony 2 Brett Whiteley 1975 116.1981. An unconventional triptych, it consists of a small, coloured photo of Whiteleys face; a distorted full-length portrait of him drawing a copy of Dobells Joshua Smith, the controversial Archibald winner of 1943; and a panel that features a screaming baboon in handcuffs, staring helplessly at a hand offering a hypodermic. AU $100.00. Do you feel welcomed or uncomfortable? However, this painting also hints at a darker side, as Wendy Whiteley explained in 1995: he was warning himself and other people watching. He left Australia for Europe on 23 January 1960.[4]. See opening hours Before this, his previous highest-selling work was The pond at Bundanon for A$649,500. I think he has done this to make the place seem more realistic because if he had . Nancy Borlase., The Sydney Morning Herald, 'Whiteley's year', Sydney, 27 Jan 1977, (illus.). This article appeared in the `Art' section of the newspaper. But there was another side thats duality of life and thats where Bretts pictures moved away from Matisses. He was the youngest living artist to have work purchased by the Tate, a record that still stands. Whiteley remained in Europe for the next decade, exhibiting his work regularly in group exhibitions in London, Paris, Amsterdam and Berlin and establishing an international reputation. 9, Sydney, 07 Sep 2013, 9. (1939 - 1992) SELF PORTRAIT, 1977. oil and hair on canvas. An astonishing exhibition. Through the 1960s he exhibited around the world as well as in Australia before the family returned to live in Lavender Bay on Sydney Harbour. Photograph of Whiteley's 'Self Portrait in the Studio' is taken "stored in the bowels of the Art Gallery of NSW", by Bruce Miller. Having attained the height of success, he realised that from this pinnacle the only way is down. gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. The dominant impression is one of luxe, calme et volupt, in the manner of Henri Matisse, whose painting, The Red Studio (1911), was Whiteleys chief source of inspiration. 15-41, London, 1995, 35-36, 145 (colour illus. 15-41, London, 1995, 35, 165 (colour illus. Drugs and . Born: Longueville, Sydney, New South Wales, Australia 07 Apr 1939, Died: Thirroul, Wollongong, New South Wales, Australia 15 Jun 1992, Brett Whiteley in North Sydney house, date unknown, by Robert Walker Estate of Robert Walker. For the Australian politician, see, Brett Whiteley Travelling Art Scholarship, "Brett Whiteley painting smashes Australian art auction record", "Self portrait after three bottles of wine", "How Whiteley Bay view became Selling Point", "Whiteley art auctions for nearly $3.5-million", "Whiteley painting sells for record price", "The Fourth Veil: Whiteley's Works on Paper, Brett Whiteley Studio", "Figure retoriche: Figures of speech. Whiteley travelled extensively throughout Asia, including India in 1965, and Japan in the last years of his life, experiencing at first hand the sources of his inspiration. Nevertheless, within this perceived enlightened sense of judging, the Trustees reverted to traditional form with the award going to William Pidgeon in 1961 for Rabbi Dr I. Porush. Charles Green, Peripheral vision: Contemporary Australian art 1970-94, Drummoyne, 1995, 7. In 1978, Whiteley entered another controversial self-portrait into the Archibald Prize 'Art, life and the other thing and it too made an immediate impact. This article is associated with "Melba". How would the space be divided and what objects of inspiration would be around you? 213-236, Sydney, Summer 1982, 235 (colour illus.). signed lower right: BRETT WHITELEY, [1] Wilson, Ashleigh, Brett Whiteley: Art, Life and the Other Thing, Text Publlishing, Melbourne, 2016, p.272, [2] Berg, Charles, The Unconscious Significance of Hair, George Allen & Unwin, London, 1951, [3] Whiteley, Brett, quoted in Sandra McGrath, Brett Whiteley, Bay Books, Sydney, 1979, p.219, [4] Kandinsky, Wassily, On the Spiritual in Art, 1910 (mutiple editions). The competitions are run annually, with the award ceremonies being held at the Art Gallery of New South Wales. Explore the tradition of interior and still life painting by examining the work of Johannes Vermeer, Henri Matisse, Vincent van Gogh, Giorgio Morandi and Margret Preston. There are two illustrations of `Self Portrait in the Studio' in this article. Self-portrait with reading specs, 1991. 12, Sydney, Oct 2006, 12 (colour illus.). A photograph of Alan Lloyd, head of conservation at the Art Gallery of NSW, examining a detail of Whiteley's painting also accompanies this article. But this painting also hints at a darker side, as Wendy Whiteley explained in 1995: he was warning himself and other people watching. This article appears in 'The Arts' section of the newspaper. Nicolas Brasch, The arts in Australia: Visual arts, 'Brett Whiteley', pg. 1927 Mrs Annie Murdoch by G. W. Lambert. You entered the wrong email. In 1959 he was awarded the Italian Government Travelling Art Scholarship, which was judged by Australian artist Russell Drysdale at the Art Gallery of NSW. The Brett Whiteley Studio (Editor), Big Blue - The painted harbour, Sydney, 1997, cover (colour illus.). 109. Shop with Afterpay on eligible items. Thomas Keneally, Australia, 'Dead heart / live heart', pg. [21], Whiteley's home and workplace during the last four years of his life at 2 Raper Street in Surry Hills was converted into the Brett Whiteley Studio museum by the Art Gallery of New South Wales.[22]. His work became highly desired by collectors, especially his large-scale, brilliantly-coloured interiors and landscapes strongly influenced by French artist Henri Matisse such as Big orange sunset 1974 and Self portrait in the studio 1976. Lou Klepac, Affinities: Brett Whiteley & Lloyd Rees, 'Introduction', pg. ), 231. plate no. Jill Sykes (Editor), Look, 'What's on elsewhere', pg. In 1964, while in London, Whiteley became fascinated by the murderer John Christie, who had committed murders in the area near where Whiteley was staying in Ladbroke Grove. Expressive, lively and playful, Brett Whiteleys sketches and drawings not only provided the foundations for his paintings, sculptures and prints, they also demonstrate the joy of capturing a moment on paper, indulging in an idea or creative concept. Balmoral Brett Whiteley 1978. It has primarily black on one side and has an image of his wife Wendy in a bathtub, seen from behind. His farewell to abstraction, Summer at Sigean, was a record of his honeymoon in France. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. This article looks at art reflecting society. How can you use colour, texture, symbols and other elements to give viewers an insight into how you are feeling? This website comprises and contains copyrighted materials and works. Brett Whiteley AO (7 April 1939 15 June 1992) was an Australian artist. Britt Larsson., The Sydney Morning Herald, 'Whiteley's poser', Sydney, 10 Dec 1977, 16 (illus.). Transmission films. [4] He also spent time with friends including Mark Knopfler and John Illsley from the band Dire Straits. Terry Ingram discusses current art market, and valuation of Whiteley's work. The scholarship enabled Whiteley to travel to Europe and experience first-hand much of the art he had only seen in reproduction. Brett Whiteley painting - alchemy 1972-1973 Art Print. Brett Whiteleys 'Self portrait in the studio exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. The Hotel Chelsea displayed several of Whiteley's paintings from the time he lived there, including Portrait of New York which was hung behind the reception desk.[7]. (This same article appears in 'The Daily Telegraph Mirror', 20 June, 1992. Barry Pearce, Head Curator of Australian Art, Art Gallery of New South Wales said: 'this is an opportunity to bring together a selection of works influenced by, or in tune with, a special Asian aesthetic that began to infiltrate Australian visual culture during the 1960s, in particular the brushwork of Chinese and Japanese calligraphy. [23], The book was longlisted for a Walkley Book Award and Australian Book Industry Award, and shortlisted for the Australian Book Design Awards and the Mark and Evette Moran Nib Literary Award. Closed Good Friday & Christmas day Closed Good Friday & Christmas day As well as Whiteley, artists included here are Peter Upward, Ian Fairweather, John Olsen, Tony Tuckson, Royston Harpur , Michael Johnson, and four of their Chinese contemporaries in the collection; Li Jinxue, HE Jianguo, Wang Ziwu and Nie Ou. In 1999, Brett's mother Beryl Whiteley (19172010) founded the Brett Whiteley Travelling Art Scholarship in memory of her son. Returning to Sydney in 1956, he starting working as a commercial artist in the studio of the Lintas Advertising Agency in Sydney, began life-drawing classes at the Julian Ashton Art School and occasionally joined John Santrys sketch club, through which he came to know the Australian landscape painter Lloyd Rees, who was a strong influence. Get the best deals on Brett Whiteley Art Prints. ), 6-7. 239-240, Sydney, 2000, 256 (colour illus. 40 years Kaldor public art projects 1961-2009 World events timeline ART GALLERY OF NSW / Kaldor public art projects explorer / WORLD EVENTS TIMELINE the 1960s was an [4], In June 1991, Whiteley was appointed an Officer of the Order of Australia. He then gifted it to the current owner who had it reassembled. He lived in the northern suburb of Longueville and attended Chatswood Primary School, then Scots College in Bathurst. Susan McCulloch, Alan McCulloch and Emily McCulloch Childs, The new McCulloch's encyclopedia of Australian art, Carlton, 2006, 1085 (colour illus.). 7: BRETT WHITELEY, DAISIES, 1975 - 76. . Peter Ross, Let's face it: the history of the Archibald Prize, 'Into the 1970s', pg. These are amongst the most prestigious art prizes in Australia. card no. She's this decade's Miss Popularity among major cities, the prom queen of the southern hemisphere. Subtitled; An extraordinary life. Weight photographed Whiteley throughout the 1970s. unknown author., The Australian, 'A buzzing, excited pitch', Sydney, 24 Jan 1977, 8. unknown author., The West Australian, 'Controversy likely over art winner', Perth, 22 Jan 1977, (illus.). Whiteley's tiny mirror self-portrait also reflects the influence of Eastern art in his portrayal of man as merely part of a larger landscape. It was the cage of his interior, his addiction, the window or a glimpse of possible escape into paradise: the escape from one's psyche. gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. The music will be written by Elena Kats-Chernin, with a libretto by Justin Fleming. Year. Art market auction sales from the 1970s to 2023 for 3,338 works by artist Brett Whiteley (1939-92), and values for over 18,000 other Australian and New Zealand artists. 218-227, New York, Sep 1998-Oct 1998, 222-223 (colour illus.). He painted abstracted images of bush scenes such as The bush (1966)[13] and also images which resulted from experimentation with various drugs, such as alcohol in the humorous Self portrait after three bottles of wine (1971).[14]. The Balcony 2 Brett Whiteley 1975. . We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. As the camera pans through the studio and over the works, Whiteley describes the challenges of being gifted and of overcoming his addictive tendencies. David Shteinman, Philosopher, 'Tribute to a Dionysian Free Spirit. Untitled (Bird) Brett .